Seated Woman No 2
Hans TileyHans Tiley translates the weight and presence of the human form into fluid, digital planes. This piece distills a traditional life study into a series of organic shapes that retain the intimacy of a hand-drawn sketch while embracing a bold, graphic clarity.

Seated Woman No 2
Hans Tiley translates the weight and presence of the human form into fluid, digital planes. This piece distills a traditional life study into a series of organic shapes that retain the intimacy of a hand-drawn sketch while embracing a bold, graphic clarity.
A meaningful share of this purchase goes directly to Hans Tiley.
Every Arthaus piece supports a living artist.
Art Analysis
The human form distilled into rhythmic graphic shapes
Hans Tiley bridges the gap between traditional fine art and digital illustration by reimagining his life drawings as structured, graphic compositions. In this work, the seated figure is stripped of literal detail, replaced by a harmonious arrangement of geometric forms and architectural line work that suggests posture and mood through silhouette alone.
The transition from paper to screen allows for a vibrant abstract palette that emphasizes the interplay between negative space and solid color. By transposing the energy of a live session into a minimalist framework, Tiley creates a modern representational study that feels both grounded in classical observation and fresh in its digital execution.
Tiley transposes the immediacy of traditional figure studies into a digital medium, creating a bridge between classical observation and modern graphic tools.
Gallagher balances the wildness of nature by arranging botanical motifs into a structured, rhythmic composition of repeating forms.
Schrevelius focuses on the unique features of his subject, highlighting human diversity through a stylized, illustrative lens.
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