At the center of this landscape sits a member of the millipede family, framed by a dense thicket of invented typography. Felix builds this environment from notebook sketches and vintage Letraset transfers, which he then scans and digitally reconfigures. By reversing, inverting, and partly erasing letterforms from various languages, he strips the text of its literal meaning, leaving behind a rhythmic, graphic texture that feels both organic and architectural.

The resulting composition functions as a new language, a spacious script that invites the eye to wander without the burden of translation. The interaction between the segmented body of the diplopod and the fragmented characters creates a sense of deep time and mystery. It is a study in how form and symbol can merge, turning the act of writing into a visual ecosystem where the creature and the code are inseparable.