Felix begins with the familiar—a list of English words in marker pen—only to dismantle it. By slicing the page into vertical strips and reordering them, he creates asemic writing, a script that mimics the flow of language without the burden of literal meaning. This physical act of cutting and pasting, later finalized through a digital scan, results in a graphic texture where the ink strokes become purely aesthetic gestures, inviting the viewer to find their own rhythm in the illegible lines.

The composition centers on a cup motif, drawing inspiration from the heavy forms of Bronze Age collared urns and bell beakers. Here, the script does not simply sit on the surface; it erupts from the vessel’s mouth like a flowerpiece, suggesting a container overflowing with history and silent speech. The title’s use of ‘fulnaz,’ an archaic term for full, reinforces this sense of a vessel brimming with the weight of an invented, yet deeply rooted, visual language.