In Stacking, Roy explores the intersection of the built environment and the natural world through a series of rhythmic, vertical layers. The composition brings together human-made elements and geographic entities, arranging them into a structured collage that suggests both a physical place and a collection of memories. By focusing on the beauty in simplicity, the artist allows each shape to stand clearly while contributing to a larger narrative of how we organize and perceive our surroundings.

The portrait orientation guides the eye upward, mimicking the way one might look at a tall building or a steep cliffside. Stylized interpretations of water and landscape features provide a soft counterpoint to the rigid lines of the architecture, creating a balanced visual dialogue. This arrangement invites deep viewer engagement, as the abstract nature of the work allows for a personal exploration of its whimsical fantasy world.