Uphill, Backwards
Janet BroughtonJanet Broughton blends original photography with tactile layers and brushwork to map the hazy geography of the subconscious. This piece captures the physical weight of a dream, where a silhouetted treeline stands witness to the frustration of moving against an invisible, persistent force.

Uphill, Backwards
Janet Broughton blends original photography with tactile layers and brushwork to map the hazy geography of the subconscious. This piece captures the physical weight of a dream, where a silhouetted treeline stands witness to the frustration of moving against an invisible, persistent force.
A meaningful share of this purchase goes directly to Janet Broughton.
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Art Analysis
The persistent friction of a dream-state gale
Part of the Landscapes of Dreams series, this work utilizes a square frame to anchor a scene that feels both solid and dissolving. Broughton applies textures and digital brushwork over a photographic base, creating a weathered surface that mimics the grit of a wind-swept hill. The silhouetted trees provide a stark, rhythmic boundary against an atmospheric sky, grounding the viewer in a space that feels isolated yet deeply familiar.
The composition translates the specific sensation of a dream-state struggle—the cyclical effort of trying to reach a destination while being pushed back by a relentless gale. By layering the landscape with visual noise and soft-focus elements, Broughton emphasizes the friction between the human will and the natural world. It is a study of resistance and the quiet, lonely persistence required to navigate a world that refuses to remain still.
The artist uses layered textures and digital brushwork to recreate the hazy, shifting logic of a dream.
The composition evokes the physical sensation of struggling against an unseen force, mirroring the internal friction of human experience.
A stark line of trees acts as a structural anchor, providing a sense of scale and solitude against the textured sky.
The blending of photography and paint captures a singular, frozen moment within a larger, ongoing cycle of movement and setback.
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