Uphill, Backwards

Janet Broughton

Janet Broughton blends original photography with tactile layers and brushwork to map the hazy geography of the subconscious. This piece captures the physical weight of a dream, where a silhouetted treeline stands witness to the frustration of moving against an invisible, persistent force.

Uphill, Backwards — framed, leaning against the wall
Janet Broughton

Uphill, Backwards

Janet Broughton blends original photography with tactile layers and brushwork to map the hazy geography of the subconscious. This piece captures the physical weight of a dream, where a silhouetted treeline stands witness to the frustration of moving against an invisible, persistent force.

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Art Analysis

The persistent friction of a dream-state gale

Part of the Landscapes of Dreams series, this work utilizes a square frame to anchor a scene that feels both solid and dissolving. Broughton applies textures and digital brushwork over a photographic base, creating a weathered surface that mimics the grit of a wind-swept hill. The silhouetted trees provide a stark, rhythmic boundary against an atmospheric sky, grounding the viewer in a space that feels isolated yet deeply familiar.

The composition translates the specific sensation of a dream-state struggle—the cyclical effort of trying to reach a destination while being pushed back by a relentless gale. By layering the landscape with visual noise and soft-focus elements, Broughton emphasizes the friction between the human will and the natural world. It is a study of resistance and the quiet, lonely persistence required to navigate a world that refuses to remain still.

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About the Artist

Janet Broughton

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