Lo Cicero employs a digital collage technique to reframe the traditional portrait, blending the organic curves of the figure with the rigid geometry of architectural symbols. The choice of a black and white palette strips away distraction, forcing an encounter with the textures of the skin and the sharp precision of the ink. This approach highlights the interplay between the subject's physical presence and the abstract elements that surround her, creating a composition that feels both grounded and deeply symbolic.

The work delves into the multifaceted nature of identity, where a tattoo serves as a permanent record of a specific cultural or emotional connection. By placing the Eiffel Tower within this narrative framework, the artist suggests that our identities are not fixed but are instead a collection of the places we inhabit and the stories we choose to wear. It is a focused study on how individuality is expressed through the fusion of personal choice and historical context.