Tidbury approaches the surfaces of maritime vessels with a deep appreciation for light and texture, spending hours exploring how nature interacts with man-made materials. By focusing on the minute details of boat hulls, he reveals naturally occurring patterns that mimic shorelines or distant horizons. The work invites a closer look at the irregular shapes and shifting tones that emerge when wind, water, and time wear down industrial surfaces, turning grit into a meditative study of form.

The physical presence of the work is defined by the use of state-of-the-art Giclée printing on archival paper, a technique that softens the photographic origins into something tactile and rich. This material experiment allows the viewer to experience the relentless forces of nature through a lens of tranquil abstraction. The final result is a piece that captures the specific character of a disused vessel while presenting it as a delicate, layered work of art.