This square composition uses thick black bars to divide the space into several rectangular sections. Inside these compartments, Shelly Bremmer arranges a dense collection of circles, squares, and rectangles. The eye moves across the entire frame rather than resting on one spot, following thin black lines that act as paths between the shapes. Some areas are filled with solid colors, while others contain diagonal or horizontal stripes that break up the flat surfaces.

A closer look reveals a textured, mottled finish within the red, blue, yellow, and green sections, contrasting with the sharp, straight edges of the geometric pattern. Small circles frequently appear in clusters, tethered to one another or to the larger rectangular frames by delicate lines. This arrangement creates a complex network where every shape is linked to the broader structure, filling the work from edge to edge without any empty gaps.