In BM62, Benjamin Mckay utilizes the visceral language of the street to explore the depth of the canvas. By combining the atmospheric mist of spray paint with the heavy, opaque weight of acrylic, the artist creates a composition that feels both architectural and fluid. The vertical orientation emphasizes a sense of rising energy, mimicking the tall, layered surfaces of a city landscape where every mark tells a story of presence and erasure.

The work avoids the polished finish of traditional studio painting, opting instead for a rugged aesthetic that honors the spontaneity of its origins. Each layer of pigment suggests a history of movement, with the acrylic providing a structural anchor against the ethereal, diffused edges of the spray. It is an exercise in balance, finding a rhythmic harmony within the aggressive, high-contrast marks that define the street art tradition.