DAISY
Terese AnderssonTerese Andersson translates the structural rhythm of nature into a fluid, expressive language of acrylic on canvas. In DAISY, the botanical form dissolves into a portrait of movement, where heavy strokes and light layers suggest a flower caught in a moment of wild, uncontained growth.
DAISY
Terese Andersson translates the structural rhythm of nature into a fluid, expressive language of acrylic on canvas. In DAISY, the botanical form dissolves into a portrait of movement, where heavy strokes and light layers suggest a flower caught in a moment of wild, uncontained growth.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Terese Andersson.
Every Arthaus piece supports a living artist.
DAISY
Terese Andersson
Art Analysis
From the artist, Terese Andersson
Original artwork details: DAISY by Terese Andersson acrylic on canvas 100x81x2.1cm 2019
The raw, rhythmic pulse of a bloom in motion
Working on a substantial 100x81cm canvas, Andersson employs an expressionist approach to the botanical genre. The composition favors a portrait orientation that emphasizes the vertical reach of the subject, allowing the acrylic medium to oscillate between dense applications and more translucent, airy passages. Rather than a literal depiction of a flower, the work focuses on the energy of the bloom, using the physical properties of the paint to mimic the organic textures found in the natural world.
The large scale of the piece invites a close reading of the artist's gestures, where the tension between abstract forms and recognizable flora creates a sense of living vibration. The 2.1cm depth of the canvas provides a clean, structural edge to a work that is otherwise defined by its loose, intuitive brushwork. By stripping away decorative detail, Andersson uncovers the raw, muscular beauty of the daisy, presenting it as a force of nature rather than a mere garden specimen.
The artist uses bold, gestural marks to capture the vitality and internal spirit of a flower rather than its exact likeness.
The piece uses non-representational forms to evoke the fluid, irregular silhouettes found in the wild.
The medium is applied with a focus on its tactile versatility, moving from thick, opaque layers to delicate washes.
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