Floating Wicker Balls And Chair
chenyi wangChenyi Wang constructs a quiet, impossible gravity where domestic objects drift into the realm of the subconscious. Through a monochrome lens, this composition strips away the familiar weight of a chair and wicker forms to reveal a landscape of suspended stillness.

Floating Wicker Balls And Chair
Chenyi Wang constructs a quiet, impossible gravity where domestic objects drift into the realm of the subconscious. Through a monochrome lens, this composition strips away the familiar weight of a chair and wicker forms to reveal a landscape of suspended stillness.
35 × 28 cm · about ⅕ the width of a 3-seat sofa
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Art Analysis
The Weightless Geometry of a Domestic Dream
In this landscape-oriented photograph, Chenyi Wang explores the tension between the physical and the ethereal. By isolating a chair among floating wicker spheres, the artist removes these objects from their functional roles, allowing them to exist as pure geometric and textural studies. The lack of color focuses the eye on the intricate weave of the balls and the sharp lines of the furniture, creating a rhythmic interplay of light and shadow that feels both grounded and weightless.
This work operates at the intersection of still life and surrealism, challenging the viewer's perception of space and stability. The minimalist arrangement avoids unnecessary clutter, leaning into a dreamlike logic where the ordinary becomes strange. It is a study in quietude, inviting a slow observation of how simple forms can occupy a void when the laws of physics are momentarily set aside.
The removal of color emphasizes the structural integrity and textural contrast between the woven wicker and the rigid chair.
The artist uses a sparse arrangement to focus attention on the essential form and texture of the subjects.
By depicting common household items in a state of levitation, the work subverts the expected reality of the everyday.
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