In Graphic 240X, Böhmer utilizes a vertical arrangement to guide the eye through a series of intersecting shapes and tonal shifts. The work relies on the strength of its internal proportions, where every edge and curve serves to anchor the viewer in a state of balanced observation. By stripping away the superfluous, the artist highlights the inherent beauty found in the relationship between negative space and solid color.

The portrait orientation emphasizes the architectural quality of the piece, allowing the geometric elements to stack and breathe within the frame. There is a rhythmic quality to the way the forms interact, suggesting a structural logic that feels both deliberate and calm. This piece functions as a study in clarity, proving that a restricted visual vocabulary can produce a deep sense of harmony.