Grass 18
Mareike BöhmerMareike Böhmer isolates the rhythmic geometry of nature, translating the organic world into a focused study of verticality and texture. In Grass 18, she captures the delicate, linear essence of botanical forms through a lens that emphasizes structure and natural repetition.

Grass 18
Mareike Böhmer isolates the rhythmic geometry of nature, translating the organic world into a focused study of verticality and texture. In Grass 18, she captures the delicate, linear essence of botanical forms through a lens that emphasizes structure and natural repetition.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Mareike Böhmer.
Every Arthaus piece supports a living artist.
Art Analysis
The rhythmic verticality of wild botanical forms.
This piece presents a detailed exploration of botanical life, focusing on the slender, upward reach of individual blades. By stripping away the wider landscape, the work draws attention to the subtle variations in shadow and light that define the surface of each stem. The portrait orientation reinforces this sense of growth, guiding the eye along the natural paths created by the vegetation.
The composition relies on the inherent patterns found in the wild, turning a common subject into a sophisticated arrangement of lines. There is a quiet stillness in the way the forms overlap, creating a layered depth that feels both intimate and expansive. The focus remains entirely on the physical presence of the grass, celebrating the complexity found in simple, earthbound details.
The vertical format highlights the reaching, linear quality of the branches, emphasizing height and organic structure.
The artwork reduces the complex structure of the honeysuckle to its most essential, clean-lined forms.
The repetition of the red berries creates a natural rhythm that mimics the chaotic yet ordered patterns of the forest.
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