Grass 22
Mareike BöhmerMareike Böhmer translates the organic rhythm of the natural world into a refined study of form and texture. In Grass 22, she isolates the delicate verticality of wild growth, turning a simple botanical subject into a focused exploration of line and light.

Grass 22
Mareike Böhmer translates the organic rhythm of the natural world into a refined study of form and texture. In Grass 22, she isolates the delicate verticality of wild growth, turning a simple botanical subject into a focused exploration of line and light.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Mareike Böhmer.
Every Arthaus piece supports a living artist.
Art Analysis
The rhythmic verticality of wild, reaching blades.
This piece centers on the quiet complexity of tall grasses, captured with a clarity that emphasizes their slender, reaching silhouettes. By stripping away extraneous detail, Böhmer directs the eye to the subtle intersections of blades and the soft gradients that define their volume. The portrait orientation reinforces the upward momentum of the plants, echoing the way they stretch toward the sky in an open field.
The composition balances negative space with dense clusters of vegetation, creating a sense of depth without overcrowding the frame. There is a tactile quality to the work, where the fine edges of the grass appear sharp against the atmosphere, inviting a closer look at the patterns found in everyday flora. It is a grounded observation of nature that finds beauty in repetition and the steady, unhurried pace of the outdoors.
The piece uses clean lines and open space to highlight the essential structure of the magnolia blossoms.
The portrait orientation creates an intimate, narrow field of view that draws the viewer closer to the subject.
The image emphasizes the tactile quality of the barbs and quills, grounding the viewer in the physical world.
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