Grungy Urban Layers
Simon GogginSimon Goggin constructs a tactile dialogue between decay and design, layering the grit of the city into a vertical composition that feels both weathered and deliberate. This piece translates the raw energy of urban surfaces into a structured, portrait-oriented study of texture and overlapping histories.

Styling images show a frame. Print sold unframed.
Grungy Urban Layers
Simon Goggin constructs a tactile dialogue between decay and design, layering the grit of the city into a vertical composition that feels both weathered and deliberate. This piece translates the raw energy of urban surfaces into a structured, portrait-oriented study of texture and overlapping histories.
28 × 35 cm · about ⅛ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Simon Goggin.
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Art Analysis
The Weathered Rhythms of a Vertical Cityscape
In this work, Goggin explores the visual language of the street, where posters, paint, and time create a dense tapestry of information. The vertical orientation emphasizes a sense of architectural height, mimicking the narrow vistas found between city buildings or the stacked remnants on a well-worn brick wall. Each layer suggests a different moment in time, inviting the viewer to peel back the visual noise to find the underlying rhythm of the metropolis.
The palette and application reflect a fascination with the unpolished beauty of industrial environments. By focusing on the 'grungy' elements of the urban landscape, the artist finds a specific harmony in what is often overlooked. The composition avoids clutter, instead using the portrait format to ground the chaotic textures into a singular, powerful column of color and grit.
The artwork utilizes distressed textures and a gritty finish to evoke the weathered surfaces found in aging city environments.
The artwork utilizes a portrait orientation to emphasize a sense of height and aspirational focus.
Goggin builds a sense of physical depth through overlapping visual elements that suggest a history of additions and erasures.
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This piece is part of a wall our team put together — shown with the works chosen to sit beside it.








