In this composition, Goggin explores the intersection of cartography and urban dreaming. The structured, intricate outlines of the mosque provide a sense of historical weight and permanence, while the introduction of balloons breaks the rigid expectations of a traditional map. By orienting the work vertically, the artist emphasizes the upward reach of the minarets, drawing the eye toward a sky filled with light, spherical shapes that contrast with the sharp angles of the architecture.

The piece functions as a visual meditation on the atmosphere of Istanbul, blending the precision of a technical drawing with a sense of whimsical movement. The balloons act as colorful interruptions to the map’s logic, turning a navigational tool into a poetic record of a place. It is an exploration of how we remember cities—not just through their fixed coordinates, but through the fleeting, airy moments that happen within their borders.