In this digital composition, Jung explores the intersection of natural history and graphic design. The lobsters are rendered with a focus on their distinct, segmented anatomy, turned into repeating motifs that march across the frame with a sense of deliberate order. By isolating these creatures within a pattern, the artist strips away the chaos of the ocean, replacing it with a clean, rhythmic clarity that highlights the unique geometry of the animal form.

The portrait orientation emphasizes the vertical flow of the design, allowing the viewer to trace the interlocking shapes as they repeat. The work leans into an abstract sensibility, where the individual subject becomes secondary to the overall texture and movement of the arrangement. It is a study of how digital tools can recontextualize familiar biological shapes into a sophisticated visual language.