In this work, Böhmer utilizes a vertical arrangement to explore how disparate geometric or organic fragments can inhabit a single plane. The composition relies on the deliberate placement of shapes that seem to lean into one another, creating a sense of architectural stability despite their individual irregularity. The focus remains on the interplay of form, where the negative space is just as vital as the 'pieces' themselves.

The portrait orientation guides the eye upward, emphasizing a rhythmic stacking of elements. By stripping away unnecessary detail, the artist invites a study of pure proportion and the subtle relationships between edges and curves. It is a quiet investigation into how a collection of parts can suggest a singular, unified presence.