In this work, Ristova utilizes a palette of sage and earthen tones to explore the relationship between negative space and solid form. The composition relies on the deliberate stacking and overlapping of geometric elements, creating a sense of architectural stability that remains soft to the eye. By stripping away unnecessary detail, the artist directs attention to the subtle textures and the way light seems to settle on the flat planes of color.

The portrait orientation emphasizes the verticality of the arrangement, guiding the gaze upward through a series of balanced intersections. There is a palpable sense of gravity here, as each shape appears to lean into the next, suggesting a structural harmony that feels both intentional and calm. The result is a study in restraint, where the simplicity of the forms invites a slow, meditative observation of color and line.