In this portrait-oriented composition, the artist prioritizes the tactile quality of rounded shapes. The work focuses on the interplay between negative space and solid mass, creating a sense of weight that feels both grounded and buoyant. By stripping away extraneous detail, the focus remains entirely on the undulating contours that give the piece its name.

There is a meditative quality to the way these forms occupy the vertical frame. The arrangement suggests a biological or geological origin, mimicking the way water carves stone or how cells cluster together. It is an exercise in restraint, finding depth through the simple, honest relationship of one line leaning into another.