In this vertical composition, Böhmer focuses on the physical properties of her medium, highlighting the irregular, fibrous borders where paper meets air. The arrangement relies on the tension between overlapping layers, creating a sense of structural weight that remains light and airy. By stripping away representational detail, the work directs attention toward the subtle shifts in tone and the rugged silhouettes formed by the act of tearing.

The portrait orientation emphasizes the upward momentum of these jagged forms, suggesting a landscape of paper that has been deconstructed and reassembled. There is a quiet honesty in the way the artist allows the material to dictate the final form, turning a simple gesture into a study of texture and negative space. The result is a grounded, meditative exploration of how separate parts can find a new, cohesive language when placed in dialogue with one another.