In Untitled #28 - Woman in white, Burns explores the intersection of classical portraiture and the rapid-fire imagery of social media. Using a delicate watercolor technique, the artist builds form through gradient tones rather than harsh lines, allowing the woman's figure to emerge from the paper with a sense of soft, enduring presence. The focus on a white garment challenges the medium, requiring a precise interplay of shadow to suggest volume and texture within a limited color palette.

The composition relies on a simplified approach to form, stripping away extraneous detail to center the viewer's attention on the subject’s posture and expression. By isolating the figure from a specific environment, Burns emphasizes the cultural dynamics of how we present ourselves to the world. The result is an evocative study of light that feels both intimate and expansive, turning a brief digital glance into a lasting observation of human grace.