Surreal White Horse Arches
Marja van den HurkMarja van den Hurk constructs a dreamlike architecture where the organic form of a white horse intersects with the rhythmic geometry of arches. This portrait-oriented composition balances the stillness of stone with the ethereal presence of an animal caught in a moment of quiet transit.

Surreal White Horse Arches
Marja van den Hurk constructs a dreamlike architecture where the organic form of a white horse intersects with the rhythmic geometry of arches. This portrait-oriented composition balances the stillness of stone with the ethereal presence of an animal caught in a moment of quiet transit.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Marja van den Hurk.
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Art Analysis
A Pale Equine Presence Within Silent Stone Corridors
In this piece, Marja van den Hurk explores the intersection of classical structure and surrealist imagery. The vertical orientation emphasizes the height of the arched passageways, creating a sense of monumental scale that dwarfs the central figure. The white horse serves as a luminous focal point, its pale coat contrasting against the shadows of the architectural voids to suggest a narrative that exists between waking life and a dream.
The composition relies on the repetition of curves—the arch of the horse’s neck echoing the masonry above. By stripping away extraneous detail, van den Hurk focuses on the purity of form and the play of light across smooth surfaces. The result is a meditative space where the boundaries between the built environment and the natural world become fluid and mysterious.
The piece utilizes repetitive arches to create an impossible, dream-like space that feels both ancient and otherworldly.
The portrait orientation emphasizes a sense of structure and upward movement within the arrangement of shapes.
The white horse acts as a symbol of purity and movement, providing a soft, living contrast to the rigid geometry of the arches.
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This piece is part of a wall our team put together — shown with the works chosen to sit beside it.








